Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of DUGHET, Gaspard 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
6495 Imaginary Landscape dfg DUGHET, Gaspard Imaginary Landscape dfg 1650s Oil on canvas, 48,5 x 63,5 cm Museum of Fine Arts, Budapest
6496 Landscape with St Augustine and the Mystery dfg DUGHET, Gaspard Landscape with St Augustine and the Mystery dfg 1651-53 Oil on canvas, 278,5 x 385,5 cm Galleria Doria-Pamphili, Rome
21587 Landscape with St Augustine and the Mystery of the Trinity (mk08) DUGHET, Gaspard Landscape with St Augustine and the Mystery of the Trinity (mk08) c.1651-1653 Oil on canvas, 278.5x385.5cm Rome,Galleria Doria-Pamphilj
6497 The Falls of Tivoli dfg DUGHET, Gaspard The Falls of Tivoli dfg c. 1661 Oil on canvas, 99 x 82 cm Wallace Collection, London
6498 View of Tivoli df11g DUGHET, Gaspard View of Tivoli df11g Oil on canvas, 31 x 46,5 cm Molinari Pradelli Collection, Bologna

DUGHET, Gaspard
French Baroque Era Painter, 1615-1675 Italian painter. He was one of the most distinguished landscape painters working in Rome in the 17th century, painting decorative frescoes and many easel paintings for such major Roman patrons as Pope Innocent X and the Colonna family. He is associated with a new genre of landscape, the storm scene, although of some 400 catalogued works little more than 30 treat this theme. His most characteristic works depict the beauty of the scenery around Rome, particularly near Tivoli, and suggest the shifting patterns of light and shade across a rugged terrain. Dughet drew from nature, yet his landscapes are carefully structured, and figures in antique dress suggest the ancient beauty of a landscape celebrated by Virgil. Very few can be securely dated; his development may be inferred from his few dated fresco paintings and from the wider context in which he was working. Most writers, following Pascoli, have divided Dughet's career into three periods.
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